The Second Approach project's origin is Russian culture, if we mean Fyodor Dostoevsky, Sergei Prokofiev, Marc Chagall and Slavic songs. Their style of improvised music was definitely and unmistakably born in Russia.

What the band performs seems to go beyond standard definitions. It provokes controversy, interest and liking. The leader of the trio is an experienced composer, master of piano improvisation, Andrei Razin. A unique singer, member of well-known Gypsy band "Romen", Tatyana Komova, and one of the key acoustic bass players in Russia, Igor Ivanushkin, complete the band. The musical arsenal of the Second Approach combines elements of ethno music, modern creative jazz and contemporary classical music.

The ideas of The Second Approach lie in the area of pan-European spirit of the 21st century, enriched by Russian traditions. That is why the idea of co-work with the trio attracted so many high class musicians, from the French horn of the great Arkady Shilkloper's, sax-player Oleg Kireyev tosaxophonists Mike Ellis, of New York, Yuri Yaremchuk of Western Ukraine, drummer Klaus Kugel of Germany, and trombonist Roswell Rudd of USA.

In 1999, only one year after the band was created, it was nominated for Russian Jazz Journalists Association Awards in three categories.
In March 2001, their CD "Ex Tempore" has been released both in Germany and Russia, while the trio performed in Stuttgart, Germany, at filmmaker Andrei Tarkovsky's retrospective with "In Memoriam Andrei" program. That same year the trio played at Kassel Jazz Festival (Germany) and at Jazz of Four Cultures Festival in Lodz, Poland.
The Second Approach Projects also takes part in the annual Jazz Province moving festival that tours several major Russian cities. Their music finds its way to the airwaves on Russian radio stations and TV.

In autumn 2002, the Second Approach toured several festivals in Ukraine, Moldova and Northern Russia. Their new CD "Jazz, Please!" contains music that was recorded live during their performances at International Jazz Music Days in Vinnytsia, Ukraine, at Ethno Jazz Trio Festival in Chisinau, Moldavia, and at the Jazz Days in Arkhangelsk, Russia. The feeling of the vividly intense improvisational, aspired interaction with the audience is the most valuable result of that work. Moscow Jazz Journalists’ Association rewarded Andrei Razin with a diploma "The best jazz composer of the year".

In October 2004 the trio celebrated its fifth anniversary with a concert program entitled "The European Jazz - 21st century " at the Moscow International House of Music. The title of this concert looked symbolical and has formed a basis for the concert series at the House of Music. On that evening, the trio performed Andrei Razin's suite which was later released on CD as "Event Space" (Dialog Music, 2004.) In 2004, Andrei Razin’s Second Approach trio also performed at the Christopher Summer Festival 2004 in Vilnius, Lithuania. In December 2004, Second Approach performed in Finland (City Theater, Joensuu, and Kaamos Jazz Festival).

Their performances in Finland also took place in 2005, when the Second Approach played at Kerava Jazz Festival. Other successful festival appearances in 2005 included Varangerfestivalen in Norway and Varna Summer Jazz in Bulgaria. A very unusual experience was the trio's non-amplified acoustic performance at the Organ Hall in Tomsk, Siberia, during the 2005 Edison Denisov Contemporary Music Festival.

"In 2006 the trio played in Yekaterinburg, Russia, toured over jazz centers in Lithuania.  In September 2006 they performed their “Second Approach” project in Moscow and Kaluga, with a new-jazz drummer from Germany Klaus Kugel".


This season trio continued the tour under the aegis of “European Jazz of 21st century” course that took places in near Moscow towns like Obninks and Pushcino as well as at the “The Union of Composers Club”. Some concerts were featured by such musicians like Roman Stolyarov (Novosebirsk), Arkadiy Shilkloper (Germany), Roswell Rudd (USA) to name a few. Also the trio had some gigs during the festival of improvisation music called “The April’s Jazz Thesis” in Arkhangelsk and during the another festival in Ryazan. In september the band (already being a quartet) had presented a fresh program featuring percussion master Vlad Okunev. The Trio had a great appearance at the Barentsjazz festival (Tromso, Norway) in November, as well as at the jazz festival "Jazz Globe" in Jerusalem.